Yes, Kevin Church Is Blogging.
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Hey, Polly Hudson, I Don’t Care When Anyone Else Eats Dinner And I Don’t Get Why You Would.
It appears that Polly Hudson at The Guardian is having a case of the vapors about when people eat dinner. The world is burning, democracy is unraveling before our very eyes, and the cost of, well, everything, has hit the point that even a feudal lord would look askance upon, but sure, let’s all clutch…
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David Lynch (1946-2025)
We lost a titan today.
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Pickup on South Street (1953) – Sam Fuller’s Apolitical Cold War Noir
This was written as the introduction for the Mesilla Valley Film Society’s screening of Pickup on South Street in November, 2024. Samuel Fuller’s Pickup on South Street stands as one of the most visceral and authentic crime films of the 1950s, its gritty realism stemming directly from Fuller’s own experiences as a teenage crime reporter. At just…
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“Bad Day At Black Rock” is a Sun-Blasted Southwestern Post-War Noir with a Dark Heart
Spencer Tracey faces down Robert Ryan in the middle of nowhere in a story that goes harder than you’d expect for a major studio release in 1955.
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Sam Fuller’s “Underworld U.S.A.” is a studio system triumph despite compromise.
Fuller’s penultimate picture for Columbia is among his best.
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“Phantom Lady” or: How Two First-Timers Made a Genre Classic You Really Should See
This was written as the introduction for the Mesilla Valley Film Society’s screening of Phantom Lady in May, 2024. 1944 was a great year for noir — you had Otto Preminger’s Laura; George Cukor’s Gaslight; Billy Wilder’s Double Indemnity, to name a few — so it’s easy to understand when a picture worthy of consideration gets shuffled…
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Sam Fuller’s “The Naked Kiss” is sordid, weird and revealing. I love it.
This was written as the introduction for the Mesilla Valley Film Society’s screening of The Naked Kiss in April, 2024. I don’t know if there’s an American filmmaker whose work I admire more than Sam Fuller. A high school dropout who became a journalist, then a screenwriter, then a soldier in World War II before…
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“Hell Or High Water” – Western Noir about the Working Class and Capitalism
This is barely rewritten from my notes given before the Mesilla Valley Film Society’s March 2023 screening of Hell and High Water for the noir series I’ve been curating.
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“Lone Star” – Borderlands Noir at its Most Mature
I wrote this introduction for The Mesilla Valley Film Society’s screening of Lone Star in February, 2023.
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My Obligatory Post About ChatGPT (Or: How I Learned To Stop Worrying And Use — Not Love, Never Love — The Plagiarism Machine.)
Oh, boy. This is going to go over like a lead balloon.